صورة المرأة بين التقليد والحداثة في الأدب النيجيري

Abstract

This article aims to shed light on the image of women in Nigerian literature between tradition and modernity. The word Nigeria is derived from two words: Niger (the name of the well-known river in West Africa) and area, meaning region or territory, referring to the inhabitants of the Niger River region. This name was given in 1914 by the wife of the British colonial governor, Lord Lugard, following the completion of the unification project between the northern and southern regions. Nigeria is a country of diverse ethnic groups and cultures; the most populous and influential among them include the Hausa, Yoruba, and Igbo. The Hausa are primarily located in the northern part of the country and are known for their commercial activities. The Yoruba mainly inhabit the southwest and are renowned for their rich culture and contributions to politics and education. The Igbo people, who are predominantly found in the southeast, are distinguished by their entrepreneurial spirit and their role in the country’s oil industry. Undoubtedly, women in this land have played a significant role in Nigerian literature, embodying a synthesis of tradition and modernity. This image cannot be denied, nor can its deep-rooted history and precious memories be overlooked.